I think with George it started off as traditional, as if it were a Christian song referring to the Lord as Jesus Christ. However, as in the Beatles tradition common with John and Paul, George's song takes a bit of a twist in the middle, saying that the Lord is Krishna and not Christ and in doing so making it a Krishna rather than a Christian song.
It could have been symbolic in the way in which George was raised as a Christian and later rediscovered his own spirituality in Krishna.
George had developed an interest in Indian philosophy in the mid 1960s. He had experimented with drugs, particularly LSD. Many users of LSD have a religious experience while intoxicated. They feel a oneness with God. George's wife, actress and model Patti Boyd, was also interested in transcendental meditation and convinced George to try TM with the Maharishi. In the spring of 1968 all of the Beatles went to India, but it was George who became the most influenced by TM.
My personal opinion is that the Hare Krishnas are very aggressive in converting people to their religion. In the 1960s I can remember the Hare Krishnas were in the city converting hippies and this song came out in 1971 at the height of all of that.
I like the Beatles like twist of the song. It starts off as Lord as in Jesus, but then it changes, twists into opening up the listener to other lords such as Krishna. You can think that Jesus and Krishna are one and the same or different. Whether it is hallelujah or hare krishna it is all the same.
It is not anything sinister like getting people hooked on Hare Krishna. It is about showing how we are basically all the same, despite the outward appearances of being different.
So you don't have to cover your kid's ears when it comes on the radio. And if they want to sing along with Hare Krishna they are not going to run off to an ashram. But they might be a bit friendlier to the Indian kids in their class and not treat them like they are strange and unusual. So it's not about getting a person hooked on anything but about recovery from the addictions of hate and preset prejudices.
Wednesday, March 30, 2011
Friday, February 18, 2011
The Beatles White Album part 1
I can remember people asking me about it when I was younger. "What do you mean that you don't have the White Album?" I was 12 years old and I was reluctant to get an album that was so expensive, a double album and not sure about the number of hit records on it. I had their Greatest Hits albums, the Red and Blue double disc sets, and the White Album tracks were on the Blue record.
The Beatles learned that people were calling their album "the White Album" and it was never the official title of the double disc set. It was simply titled "The Beatles." It is probably the most ecclectic and bizarre album that the Beatles produced. Paul was noodling at the piano doing songs that ranged from Broadway musical numbers to folk music and then competing with the Who with a blaring rocker called "Helter Skelter." George was searching for answers in "Long, Long," made social commentary in "While My Guitar Gently Weeps" aided by Beatle friend Eric Clapton on guitar. Ringo was given a lullaby to sing from John "Goodnight" and added his own composition "Don't Pass Me By." John, the most bizarre creator on the most bizarre of Beatle albums, concocted an avant gard piece called "Revolution 9," attributed to his new girlfriend the conceptual artist Yoko Ono.
The White Album represents the fragments of what the Beatles had become. The group was no longer functioning cohesively but was wafting away at remote ends of EMI studios recording their individual pieces with random inclusions of other Beatles, guests and other recording artists and session musicians. At one point, the idea for the album cover was to take the four included photos of the Beatles and put them in the windows of a doll's house as an ode to Ibsen's famous drama "A Doll's House." Interestingly enough, Ibsen's play was about a woman who was dysfunctional in a relationship with a man that was still her husband but was a man whom she no longer loved. In much the same way, the Beatles were still a band but recording as solo artists with various band members contributing bits and pieces. They did record some tracks together, but the overall cohesion of the Beatles was lacking.
Later when the Beatles split up in 1970, they attributed their demise from tensions that heated up during the recording of the White Album.
The Beatles learned that people were calling their album "the White Album" and it was never the official title of the double disc set. It was simply titled "The Beatles." It is probably the most ecclectic and bizarre album that the Beatles produced. Paul was noodling at the piano doing songs that ranged from Broadway musical numbers to folk music and then competing with the Who with a blaring rocker called "Helter Skelter." George was searching for answers in "Long, Long," made social commentary in "While My Guitar Gently Weeps" aided by Beatle friend Eric Clapton on guitar. Ringo was given a lullaby to sing from John "Goodnight" and added his own composition "Don't Pass Me By." John, the most bizarre creator on the most bizarre of Beatle albums, concocted an avant gard piece called "Revolution 9," attributed to his new girlfriend the conceptual artist Yoko Ono.
The White Album represents the fragments of what the Beatles had become. The group was no longer functioning cohesively but was wafting away at remote ends of EMI studios recording their individual pieces with random inclusions of other Beatles, guests and other recording artists and session musicians. At one point, the idea for the album cover was to take the four included photos of the Beatles and put them in the windows of a doll's house as an ode to Ibsen's famous drama "A Doll's House." Interestingly enough, Ibsen's play was about a woman who was dysfunctional in a relationship with a man that was still her husband but was a man whom she no longer loved. In much the same way, the Beatles were still a band but recording as solo artists with various band members contributing bits and pieces. They did record some tracks together, but the overall cohesion of the Beatles was lacking.
Later when the Beatles split up in 1970, they attributed their demise from tensions that heated up during the recording of the White Album.
Sunday, January 16, 2011
Baby You're a Rich Man
Baby, You're a Rich Man
I read somewhere, it could have been in the Ray Coleman book "Lennon" that John had a version in which he sang about Brian Epstein and he said "baby you're a rich fag Jew." The song was about Brian Epstein and the refererence to "you keep all your money in a big brown bag" was a reference to how Brian would accept money from concert promoters in brown paper bags to avoid paying taxes, so it was this loose, undeclared cash. The Beatles had a nasty time in Manila and Brian and Mal Evans somehow forgot to take the brown paper bags into the plane with them or they were confiscated at the airport. They had been told to perform for Imelda Marcos for a royal performance and it was their day off and they never did that performance and got roughed up at the airport.
Brian was depressed after the touring stopped. The Beatles wanted to concentrate on songwriting and were using film and videotape to promote their hit records rather than through personal appearances. Brian hadn't foreseen this and thought of the records as a novelty to promote the touring rather than the other way around that the touring was done to market the records.
Ray Coleman implied that John's comments on the unreleased version of this song hurt Brian. But that would be far too simplistic.
Brian was a very complicated person but that was what John Lennon liked about him. John had often frequented the transvestite bars in Hamburg. He didn't care for the other managers that they had. Brian was just obsessed with the Beatles. They meant everything to Brian. If you know of people who are Beatlemaniacs and find themselves just lost in the hysteria of what they were at that time, Brian was one of those people and he was their manager.
Brian had to keep his homosexuality in the closet. He literally had to hide his love away. He would have trysts with boys here and there. The more famous he became, the more he was used and exploited. He enjoyed being roughed up and then to make matters worse, he would be swindled by his partners who threatened to report him to the press unless they were paid. That was his sex life. He never had a boyfriend. The only man that ever loved him as a person was John Lennon and he was married and a straight man who was just bi curious.
I think if the Beatles were a working band today, a guy like Brian could have had a life out in the open being gay and all of that. But then it wouldn't be the Beatles then, would it.
The fact that back then, being gay was illegal gave Brian an appeal to John Lennon.
John was always ironic, puns, so whatever he wrote should not be taken literally. John hated the beautiful people. He hated them and thought the beautiful people were boring and square. John like Brian because he was like the drag queens in Hamburg and he had this side of him that he liked getting roughed up and he had gambling addictions and so forth. So you can picture John nudging Brian as if to say "how does it feel to be one of them, eh?" and that's with the assumption that he wasn't one of them.
I read somewhere, it could have been in the Ray Coleman book "Lennon" that John had a version in which he sang about Brian Epstein and he said "baby you're a rich fag Jew." The song was about Brian Epstein and the refererence to "you keep all your money in a big brown bag" was a reference to how Brian would accept money from concert promoters in brown paper bags to avoid paying taxes, so it was this loose, undeclared cash. The Beatles had a nasty time in Manila and Brian and Mal Evans somehow forgot to take the brown paper bags into the plane with them or they were confiscated at the airport. They had been told to perform for Imelda Marcos for a royal performance and it was their day off and they never did that performance and got roughed up at the airport.
Brian was depressed after the touring stopped. The Beatles wanted to concentrate on songwriting and were using film and videotape to promote their hit records rather than through personal appearances. Brian hadn't foreseen this and thought of the records as a novelty to promote the touring rather than the other way around that the touring was done to market the records.
Ray Coleman implied that John's comments on the unreleased version of this song hurt Brian. But that would be far too simplistic.
Brian was a very complicated person but that was what John Lennon liked about him. John had often frequented the transvestite bars in Hamburg. He didn't care for the other managers that they had. Brian was just obsessed with the Beatles. They meant everything to Brian. If you know of people who are Beatlemaniacs and find themselves just lost in the hysteria of what they were at that time, Brian was one of those people and he was their manager.
Brian had to keep his homosexuality in the closet. He literally had to hide his love away. He would have trysts with boys here and there. The more famous he became, the more he was used and exploited. He enjoyed being roughed up and then to make matters worse, he would be swindled by his partners who threatened to report him to the press unless they were paid. That was his sex life. He never had a boyfriend. The only man that ever loved him as a person was John Lennon and he was married and a straight man who was just bi curious.
I think if the Beatles were a working band today, a guy like Brian could have had a life out in the open being gay and all of that. But then it wouldn't be the Beatles then, would it.
The fact that back then, being gay was illegal gave Brian an appeal to John Lennon.
John was always ironic, puns, so whatever he wrote should not be taken literally. John hated the beautiful people. He hated them and thought the beautiful people were boring and square. John like Brian because he was like the drag queens in Hamburg and he had this side of him that he liked getting roughed up and he had gambling addictions and so forth. So you can picture John nudging Brian as if to say "how does it feel to be one of them, eh?" and that's with the assumption that he wasn't one of them.
Friday, January 7, 2011
Eat, Pray, Beatles
Having seen the Julia Robert's movie "Eat, Pray, Love," I could not help but think of the Beatles meditating in India under the direction of the Maharishi. They had been into drugs and now they were getting into Eastern Philosophy. Whether they were trend setters or merely followers, the Beatles were always hip what was happening at the time. The sixties were a time to find oneself and to find God. He wasn't found on any of the LSD trips that they took but the idea of trying to find him was there. Who is God? Is there some supernatural force that is greater than what we have on Earth? John had mocked Western organized religions by stating that "the Beatles are bigger than Jesus" and predicted that Christianity would fade away. Receiving death threats from the Ku Klux Klan didn't deter him to apologize for what he had said. He did offer an explanation. He was not "knocking Jesus as a person or God as a thing." It was more of an explanation of what he had said rather than an apology for what he had said. Now, the man who had mocked Jesus was asking an Indian guru for the answer.
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